Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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REMBRANDT Harmenszoon van Rijn
Portrait of Rembrandt-s Father
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ID: 34386

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REMBRANDT Harmenszoon van Rijn Portrait of Rembrandt-s Father


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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | The Holy Family | Datail of The femish Bride (mk33) | Portrait of an Old Man | A Man Sharpening a Quill | Portrait of Ariosto |
Related Artists:
CONGNET, Gillis
Flemish painter (b. ca. 1538, Antwerpen, d. 1599, Hamburg) Flemish painter. The son of a goldsmith of the same name, he trained as a painter with Lambert Wenselyns ( fl 1553) and possibly also with Antoon van Palermo (1503 or 1513-c. 1589), an Antwerp art dealer in whose house he lived (van Mander). In 1561 he became a free master in the Antwerp Guild of St Luke. Shortly afterwards he travelled to Italy, going first to Naples and Sicily and then to Terni, where he made frescoes with a painter named Stello. In 1568 he was registered as a member of the Accademia in Florence. He must have returned to Antwerp in 1570, for between that year and 1585 his name appears in the register of the city's Guild of St Luke, of which he became Dean in 1585. A year later, on the arrival of Alessandro Farnese,
Joseph Nigg
(born 13 October 1782 in Vienna) was an Austrian painter, with painting on porcelain a specialty. Flower Arrangement by Joseph NiggNigg studied at the Academy of Fine Arts in Vienna with Johann Baptist Drechsler. From 1800 to 1843, Nigg worked as a flower painter in a Viennese porcelain factory. Beginning in 1835, this post also involved holding classes in painting at the factory. With the advent of the Biedermeier Era, flower painting became immensely popular and was also to be found on large porcelain plaques. A piece of this sort, thirty inches in height, was presented by Nigg, on behalf of the Viennese factory, at the The Great Exhibition of 1851 in London. In addition to working in porcelain, Nigg also created oil paintings, watercolors, and pastel drawings. Two of his paintings, "Grandmother's Bouquet I" and "Grandmother's Bouquet II" have found enduring popularity as poster and print reproductions. Nigg died in Vienna on September 19, 1863.
Cornelius Varley
English Painter, 1781-1873 Painter, draughtsman and printmaker, brother of (1) John Varley. Primarily a scientist, he painted watercolours for pleasure. He was less prolific than his brother. Although he was also a founder-member of the Society of Painters in Water-Colours, he exhibited few watercolours there from 1805 to 1820 and even fewer at the Royal Academy and the Society of British Artists between 1820 and 1859 and 1826 and 1844






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